Tuesday, January 31, 2012
Call centers will post 8.6% of GDP growth by 2016
Roxas perks things up at Naia 1 in 90-minute visit
IT took a visit from Transportation Secretary Mar Roxas to perk things up at the Ninoy Aquino International Airport Terminal 1 (Naia 1). And do some adjustments to make more comfortable the hundreds who throng the airport every day to welcome or see off loved ones.
He talked with Manila International Airport Authority General Manager Jose Angel Honrado and was able to convince him to provide a “misting” equipment so that welcoming groups would be spared from the oppressive head of the noonday sun.
Roxas noticed the predicament of the welcomers after a brief chat with a family from Nueva Ecija that was there to greet a loved one coming from the Middle East.
Elpidio Peralta told the secretary the arrival extension area where hundreds of families greet arriving overseas Filipino workers was oppressively hot.
This prompted Roxas to urge Honrado to install misting equipment in the area to cool down visitors with fine-water spray.
Dante Basanta, Naia 1 manager, promised to install the fine-water sprayer within a month.
Honrado then told Roxas that the ongoing P1.16-billion renovation was proceeding well. He said it would include a walkalator leading from the arrival area, all the way down to the passenger arrival extension area.
Many passengers have complained that the steep slant often made it difficult for passengers, especially those loaded with boxes, to negotiate the slippery slope.
Honrado said the walkalators would be able to accommodate luggage trolleys for arriving passengers.
From the so-called greeters area, Roxas visited some of the toilets and found them clean enough to merit his praise.
He kidded a female attendant, saying she probably knew he was coming and that was why the toilet was spotlessly clean.
But unidentified janitress told him: “Talaga pong malinis ang kubeta dito sa arrival araw-araw”; he seemed to agree.
Roxas then went to view the dismantling of the escalators; they are being removed to provide wider access to arriving passengers.
From there, he went to the immigration area, where he was shown a plan to increase the number of booths from the present 15 to 30, to reduce congestion during peak arrival hours.
“We have to see what is actually going on. It’s difficult if you see it only on paper,” Roxas said during a brief interview following the one-and-a-half-hour visit.
He said that he found the plan to be satisfactory and asked the public to be patient since the renovation was going on, despite the continued operation of the airport.
“You can see it’s a working facility, you don’t just close the area because this is being used every day.”
He added that from what he saw at the ground level where the welcoming groups are located, Honrado has agreed to expand the area not only to accommodate more people, but make their stay comfortable.
“The construction started in January and would not stop until it is finished,” he said. The contractors are working on the mechanical, electrical, plumbing and fire system of the 30-year-old terminal to make it useful and functional.
He said the idea of the upgrade was to strengthen the pillars and post, stop the leaks and seeping waters, remodel the ceiling and provide clean toilets.
In Photo: Secretary Mar Roxas (third from left) demonstrates the difficulty of handling a trolley loaded with pieces of luggage, while going down the steep incline leading to the arrival extension area. These areas will be provided with walkalators, according to plans. With Roxas are (from left) unidentified Roxas aide, Miaa Manager Honrado, Miaa Engineer Carlos Lozada and Naia 1 Terminal Manager Dante Basanta. --Recto Mercene
Worrisome hunger stats making government act
not all gays*
Posted by ai on Oct 23, 2009 in FEATURED, KULTURA Articles, movies |
*to Juni, who lent me dvds of gayness, after he talked about his clothing designs and love affairs, the first time I met him one evening in Quezon Ave.
Issues of gender are difficult to evade because along with social class, education, religion, nationality (among others), gender is part of one’s subject position-or the totality of a person that defines human relations in a society.
Even in the simple pastime of watching films, it is doubly difficult to ignore the most complicated questions on gender especially if those movies have pronounced claims on homo/heterosexuality.
In My Life, for instance,problematizes power relations among Filipino gay couples. Now that both phallus are together, who will man the ship? All gays are not created equal.
In this film, John Lloyd’s character is stereotypically feminine. He talks a lot, cries a lot, feels a lot, while Luis Manzano has I can’t talk to you right now because I have work to do kind of character.
Gender theorists may not like the perpetuation of the binaries male-female, weak-strong, rational-emotional, but this only goes to show that many relationships are founded exactly on these oppressive dichotomies. And they like it that way. (Just like in Ang Lee’s The Wedding Banquet which is also set in America and which also touches on issues of getting a green card, on “coming out” to parents whose expectations are as high the Empire Building).
That the film’s setting is in New York is a telling sign that there is a desire to flee the poor country full ofstraight values (which they carried abroad as evident in their “kissing scene” which has no kissing at all), to head to the Big Apple known for its cultural diversity. Or is it another macho symbol?
Isn’t America the proudest phallic symbol of the world?
Compare this to the celebrated 90s American gay film set in New York: Trick is a happy story about two gays meeting in a subway, they fall for each other quickly (New York time!) and went to look for a place for the night, but every corner they go, disturbance. But it ends happily.
Back in the Philippines, many gays are repressed and oppressed, and this might explain why our gay films rarely have a happy ending.
When I watched Lihim ni Antonio I was horrified.
And that’s not because it’s a gay film.
There were scenes honest enough to zoom in to a close up and extreme close up of boys’ masturbation and coming of age identity crisis, of m2m sex from behind and the sick consequences of Filipino diaspora.
In “Lihim” Marikina’s river, old houses, parks, and computer shops serve as the setting for the development of a plot that peacefully starts with Tom (antonio) realizing that he’s gay.
The everyday life (la vie quotidienne in cultural studies) powerfully exposes gender ideologies: coming to the city is a move of Tom’s uncle to so-called progress (while the mother tearfully returns to the province); a side glance of a boy to a man and vice versa in a dining table with the entire family is suggestive of crushing social norms and redefining gender roles; female masturbation is freaky, male–spectacular.
Tom’s secrets started to spill when he finally had the guts to touch his uncle who shares bed with him. Like a redundant phrase, his macho-shit Tito Johnbert had a well sculpted bod as his capital for hooking up with men in dingy bars (another secret in the film).After being teased into the world of sexual fantasy in a room lit by Christmas lights, Tom rides his bike mile after extra mile with his buddy Mike to explore the nature of homosexuality in a most innocent, yet heart-to-heart, guy talk.
Then came revelations. Lying and self-deception, lust and lost love, and a most heart-wrenching betrayal of trust all clashed into a single rape scene of a 15-year-old homo.
I was holding my other friend’s hand while Tom screams to death “Tito John! Wag po! Masaket! Masakit dyan! Tito Jooohn!” up to the scenes when Tom’s depressed mother enters and stabs the rapist multiple times.
We left the cinema with a heavy heart. Unlike when I watched Love of Siam.
This is a Thai love story between two teenagers, childhood friends Mew and Tong, who struggle against loneliness in their fragmented families and homophobic society.
While Mew lost his grandmother (his only family) who makes up for the absence of his parents, Tong lost his ate who is very much close to him to his family’s pathetic despair.
Separation is one subject of the film, and its theme is somewhere around the thought that in the face of death (of people, of romantic relationships, of family values) one finds herself alone in a universe of lonely people who can only get the strongest affirmation from the self. but hey, this is a positive note on the freedom of the self to go against the current of socially repressive values
Such joys of solitude of finding peace in spite of surrounding chaos can be felt in Mew’s music whenever he composes songs for his highschool group, the August Band. This is the time when viewers, gay or straight, fall in love. It reminds you for instance of your crushes and first loves, of cute infatuation and kilig im-gonna-see-him-again moments, of me-against-the-world romance and we-against-ourselves goodbye.
Love of Siam draws its emotionality from fragmentation. When Tong reveals his disturbed thoughts on his confused identity, he cries. He believes people around him are disturbed as well. Characters, when shattered into pieces by inevitable evils in the society, get lost. And in the process of hurting, they bleed.
But music heals the soul.
Later on, the characters, one by one, collect the pieces of their broken selves.
But not all coming out happens when the gay is young. Some take a while. A long while.
There's The Rub
Delicadeza dictates Cuevas to stop lawyering for CJ Corona